Poetry Brothel Berlin 2.0 Success

It was a dark and smoky night in a typically dark and smoky Berlin club. That explains why there are no pictures of the amazing Poetry Brothel Berlin 2.0 at Insomnia last Friday. Yes, that explains it. OR DOES IT? (Sorry, I’m still in full Lynchian mode from the event theme.)

Performers and VIPs got these pretty bracelets that say: Poetry Brothel Berlin—The poets are not what they seem, a reference to Twin PeaksI can’t bring myself to throw mine away, or to take off the nail polish I wore for this for the first time since I was about 9 years old. Although cooking and painting are rapidly doing that for me…

Thanks and praise to writer and Madame Nathalie Dewalhens‘ three months-long masterminding since our last (and first) successful Poetry Brothel Berlin, show shepherdess Jos Porath’s careful herding, my hot sweet man Rop’s sound engineering, all my friends who came out to support me and have fun, and a whole lot of creativity and effort from a whole lot of other talented people. It was super cool to work with poetic comrades old and new—including the people who came from the original Poetry Brothel New York—including the grand Madame who started it all and Executive Director of the Poetry Society of New York, Stephanie Berger… And from Poetry Brothel London—with whom I’ve been invited to perform at their upcoming Nov. 18 Arts Theatre West End show: the Wildean Years.

How is that even a thing? And who do I send? My original Poetry Brothel incarnation—Felicia Faust in her steampunk incarnation? Felicia in her more recent, Lynchian form? Maybe something in-between, with a bit of a period flavor from before and a bit more, Lynchian glam (of which Wilde would surely approve)? In any case, I’m already as Wildean as they come.

Who could have guessed, when I changed my name to Wilde and moved to London a few years ago to make art, that I would get to do all that while pretending to be a whore? If you’re in the neighborhood, I’d love it if you came to see me. And if you’re the Tate’s Turner curator, get ready for my questions about where those unburned-after-all cunt drawings are at. I’m onto you and I’m back in town.

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